Two To Two Step - Commentary
๐ต 1870 characters
โฑ๏ธ 1:59 duration
๐ ID: 28685114
๐ Lyrics
"Two to Two Step," again another hook that Josh Osborn kinda came
To co-write with. We are always trying to avoid a shuffle when
We're writing songs. So I believe that one might have even started
As an up-tempo shuffle and we were like, "Man, we gotta straighten
That thing out." And once we did and kinda fall into a groove, ev-
That one, that song, when you're writing fun songs like that, too
Most of the time they're a lot easier to come by because you're
Not overthinking much. Clearly, I mean "Two to Wango," um, was a
Was a lyric that was a placeholder that never, never left, really
And actually, has become one of my favorite lyrics that we've ever
Written 'cause it doesn't make a whole lotta sense. But that song
Ends up, you know, when you record up-tempo tracks, too, in the
Studio, it has a tendency to bring a lot of life to a session and
We found, I feel like, a few different tones that we hadn't used
Before or recorded before in some synthesizers and stripping out
Piano. Really invented a new sound for ourselves as far as up-tempo
Songs go and it was a- it's a lot of fun to play live, too, so. It's
Not easy to sing, consequently, the high harmony on that one. It's
Really high. It's got a lot of ZZ
Top in it. A lotta high up there, yeah
So much of the music that we write and we perform, for me, is, is
Very nostalgic and it is a way to revive the past and to bring it
Into the future. It's one of my favorite places to be is in a good
Smoky honky tonk. I mean, irreverent and sometimes the most profound
Conversations and some of the most mystical, intelligent people
You'll ever meet will be in these places. Unexpected, but it adds
To, it adds to the mysticism of this place and, um, they need to be
Protected and that music that takes you to that place, uh, I think
Is always gonna be in demand and serving a very important purpose
To co-write with. We are always trying to avoid a shuffle when
We're writing songs. So I believe that one might have even started
As an up-tempo shuffle and we were like, "Man, we gotta straighten
That thing out." And once we did and kinda fall into a groove, ev-
That one, that song, when you're writing fun songs like that, too
Most of the time they're a lot easier to come by because you're
Not overthinking much. Clearly, I mean "Two to Wango," um, was a
Was a lyric that was a placeholder that never, never left, really
And actually, has become one of my favorite lyrics that we've ever
Written 'cause it doesn't make a whole lotta sense. But that song
Ends up, you know, when you record up-tempo tracks, too, in the
Studio, it has a tendency to bring a lot of life to a session and
We found, I feel like, a few different tones that we hadn't used
Before or recorded before in some synthesizers and stripping out
Piano. Really invented a new sound for ourselves as far as up-tempo
Songs go and it was a- it's a lot of fun to play live, too, so. It's
Not easy to sing, consequently, the high harmony on that one. It's
Really high. It's got a lot of ZZ
Top in it. A lotta high up there, yeah
So much of the music that we write and we perform, for me, is, is
Very nostalgic and it is a way to revive the past and to bring it
Into the future. It's one of my favorite places to be is in a good
Smoky honky tonk. I mean, irreverent and sometimes the most profound
Conversations and some of the most mystical, intelligent people
You'll ever meet will be in these places. Unexpected, but it adds
To, it adds to the mysticism of this place and, um, they need to be
Protected and that music that takes you to that place, uh, I think
Is always gonna be in demand and serving a very important purpose
โฑ๏ธ Synced Lyrics
[00:00.80] "Two to Two Step," again another hook that Josh Osborn kinda came
[00:04.46] To co-write with. We are always trying to avoid a shuffle when
[00:08.30] We're writing songs. So I believe that one might have even started
[00:11.89] As an up-tempo shuffle and we were like, "Man, we gotta straighten
[00:13.76] That thing out." And once we did and kinda fall into a groove, ev-
[00:18.58] That one, that song, when you're writing fun songs like that, too
[00:21.97] Most of the time they're a lot easier to come by because you're
[00:25.42] Not overthinking much. Clearly, I mean "Two to Wango," um, was a
[00:31.32] Was a lyric that was a placeholder that never, never left, really
[00:35.87] And actually, has become one of my favorite lyrics that we've ever
[00:39.06] Written 'cause it doesn't make a whole lotta sense. But that song
[00:42.24] Ends up, you know, when you record up-tempo tracks, too, in the
[00:45.86] Studio, it has a tendency to bring a lot of life to a session and
[00:52.21] We found, I feel like, a few different tones that we hadn't used
[00:55.46] Before or recorded before in some synthesizers and stripping out
[01:00.18] Piano. Really invented a new sound for ourselves as far as up-tempo
[01:05.27] Songs go and it was a- it's a lot of fun to play live, too, so. It's
[01:10.15] Not easy to sing, consequently, the high harmony on that one. It's
[01:14.03] Really high. It's got a lot of ZZ
[01:15.85] Top in it. A lotta high up there, yeah
[01:18.00] So much of the music that we write and we perform, for me, is, is
[01:21.48] Very nostalgic and it is a way to revive the past and to bring it
[01:26.24] Into the future. It's one of my favorite places to be is in a good
[01:31.39] Smoky honky tonk. I mean, irreverent and sometimes the most profound
[01:36.03] Conversations and some of the most mystical, intelligent people
[01:41.18] You'll ever meet will be in these places. Unexpected, but it adds
[01:46.61] To, it adds to the mysticism of this place and, um, they need to be
[01:50.36] Protected and that music that takes you to that place, uh, I think
[01:55.65] Is always gonna be in demand and serving a very important purpose
[01:59.36]
[00:04.46] To co-write with. We are always trying to avoid a shuffle when
[00:08.30] We're writing songs. So I believe that one might have even started
[00:11.89] As an up-tempo shuffle and we were like, "Man, we gotta straighten
[00:13.76] That thing out." And once we did and kinda fall into a groove, ev-
[00:18.58] That one, that song, when you're writing fun songs like that, too
[00:21.97] Most of the time they're a lot easier to come by because you're
[00:25.42] Not overthinking much. Clearly, I mean "Two to Wango," um, was a
[00:31.32] Was a lyric that was a placeholder that never, never left, really
[00:35.87] And actually, has become one of my favorite lyrics that we've ever
[00:39.06] Written 'cause it doesn't make a whole lotta sense. But that song
[00:42.24] Ends up, you know, when you record up-tempo tracks, too, in the
[00:45.86] Studio, it has a tendency to bring a lot of life to a session and
[00:52.21] We found, I feel like, a few different tones that we hadn't used
[00:55.46] Before or recorded before in some synthesizers and stripping out
[01:00.18] Piano. Really invented a new sound for ourselves as far as up-tempo
[01:05.27] Songs go and it was a- it's a lot of fun to play live, too, so. It's
[01:10.15] Not easy to sing, consequently, the high harmony on that one. It's
[01:14.03] Really high. It's got a lot of ZZ
[01:15.85] Top in it. A lotta high up there, yeah
[01:18.00] So much of the music that we write and we perform, for me, is, is
[01:21.48] Very nostalgic and it is a way to revive the past and to bring it
[01:26.24] Into the future. It's one of my favorite places to be is in a good
[01:31.39] Smoky honky tonk. I mean, irreverent and sometimes the most profound
[01:36.03] Conversations and some of the most mystical, intelligent people
[01:41.18] You'll ever meet will be in these places. Unexpected, but it adds
[01:46.61] To, it adds to the mysticism of this place and, um, they need to be
[01:50.36] Protected and that music that takes you to that place, uh, I think
[01:55.65] Is always gonna be in demand and serving a very important purpose
[01:59.36]