Go - Reprise Version / Commentary
π΅ 1573 characters
β±οΈ 1:50 duration
π ID: 31065332
π Lyrics
And the third song on the record is "Go" on Reprise, and it was
Actually the hardest song to do for Reprise because in some ways it's
Not a song. What I mean by that is almost every other song on Reprise
Has a song structure. You know, it has vocals for the most part, it
Has verses, choruses, pre-choruses, you know, the elements that you'd
Normally find in a song. And "Go" is basically a techno track with
The Twin Peaks Laura Palmer theme strings played on top of it. So
What I did with this is Alex Acuna and I played just crazy bongos
And congas and shakers and percussion, and then my friend Trip played
Drums, and we built this rhythm track. So it was basically making a
Techno track with live instruments, and then we had the orcheβ the
Orchestra playing, you know, its huge sweeping chords on top of it
And when I think of "Go," I also remember when I first made it in
1990. You know, I wasβ Iβ when I first worked on the song "Go,"
I was living in an abandoned factory. I had no running water, I had
No bathroom, I didn't even have a record deal. So I was just working
On this minimal techno track, and it was one of the first tracks that
I released, and the first version kind of disappeared. And then the
Second version, when I added Laura Palmer's theme to it, became this
Baffling hit single. You know, so I went from living in an abandoned
Factory to flying back and forth to Europe, playing on TV shows and
Standing on stage at raves in front of ten thousand people. So I'm
Really glad that I was able to figure
Out a way to include it on Reprise
Actually the hardest song to do for Reprise because in some ways it's
Not a song. What I mean by that is almost every other song on Reprise
Has a song structure. You know, it has vocals for the most part, it
Has verses, choruses, pre-choruses, you know, the elements that you'd
Normally find in a song. And "Go" is basically a techno track with
The Twin Peaks Laura Palmer theme strings played on top of it. So
What I did with this is Alex Acuna and I played just crazy bongos
And congas and shakers and percussion, and then my friend Trip played
Drums, and we built this rhythm track. So it was basically making a
Techno track with live instruments, and then we had the orcheβ the
Orchestra playing, you know, its huge sweeping chords on top of it
And when I think of "Go," I also remember when I first made it in
1990. You know, I wasβ Iβ when I first worked on the song "Go,"
I was living in an abandoned factory. I had no running water, I had
No bathroom, I didn't even have a record deal. So I was just working
On this minimal techno track, and it was one of the first tracks that
I released, and the first version kind of disappeared. And then the
Second version, when I added Laura Palmer's theme to it, became this
Baffling hit single. You know, so I went from living in an abandoned
Factory to flying back and forth to Europe, playing on TV shows and
Standing on stage at raves in front of ten thousand people. So I'm
Really glad that I was able to figure
Out a way to include it on Reprise
β±οΈ Synced Lyrics
[00:00.62] And the third song on the record is "Go" on Reprise, and it was
[00:05.88] Actually the hardest song to do for Reprise because in some ways it's
[00:12.03] Not a song. What I mean by that is almost every other song on Reprise
[00:17.28] Has a song structure. You know, it has vocals for the most part, it
[00:20.95] Has verses, choruses, pre-choruses, you know, the elements that you'd
[00:25.13] Normally find in a song. And "Go" is basically a techno track with
[00:30.97] The Twin Peaks Laura Palmer theme strings played on top of it. So
[00:35.37] What I did with this is Alex Acuna and I played just crazy bongos
[00:41.05] And congas and shakers and percussion, and then my friend Trip played
[00:45.16] Drums, and we built this rhythm track. So it was basically making a
[00:49.56] Techno track with live instruments, and then we had the orcheβ the
[00:53.15] Orchestra playing, you know, its huge sweeping chords on top of it
[00:59.36] And when I think of "Go," I also remember when I first made it in
[01:05.43] 1990. You know, I wasβ Iβ when I first worked on the song "Go,"
[01:10.19] I was living in an abandoned factory. I had no running water, I had
[01:13.24] No bathroom, I didn't even have a record deal. So I was just working
[01:16.25] On this minimal techno track, and it was one of the first tracks that
[01:20.34] I released, and the first version kind of disappeared. And then the
[01:24.68] Second version, when I added Laura Palmer's theme to it, became this
[01:28.73] Baffling hit single. You know, so I went from living in an abandoned
[01:33.82] Factory to flying back and forth to Europe, playing on TV shows and
[01:39.54] Standing on stage at raves in front of ten thousand people. So I'm
[01:42.40] Really glad that I was able to figure
[01:45.08] Out a way to include it on Reprise
[01:49.47]
[00:05.88] Actually the hardest song to do for Reprise because in some ways it's
[00:12.03] Not a song. What I mean by that is almost every other song on Reprise
[00:17.28] Has a song structure. You know, it has vocals for the most part, it
[00:20.95] Has verses, choruses, pre-choruses, you know, the elements that you'd
[00:25.13] Normally find in a song. And "Go" is basically a techno track with
[00:30.97] The Twin Peaks Laura Palmer theme strings played on top of it. So
[00:35.37] What I did with this is Alex Acuna and I played just crazy bongos
[00:41.05] And congas and shakers and percussion, and then my friend Trip played
[00:45.16] Drums, and we built this rhythm track. So it was basically making a
[00:49.56] Techno track with live instruments, and then we had the orcheβ the
[00:53.15] Orchestra playing, you know, its huge sweeping chords on top of it
[00:59.36] And when I think of "Go," I also remember when I first made it in
[01:05.43] 1990. You know, I wasβ Iβ when I first worked on the song "Go,"
[01:10.19] I was living in an abandoned factory. I had no running water, I had
[01:13.24] No bathroom, I didn't even have a record deal. So I was just working
[01:16.25] On this minimal techno track, and it was one of the first tracks that
[01:20.34] I released, and the first version kind of disappeared. And then the
[01:24.68] Second version, when I added Laura Palmer's theme to it, became this
[01:28.73] Baffling hit single. You know, so I went from living in an abandoned
[01:33.82] Factory to flying back and forth to Europe, playing on TV shows and
[01:39.54] Standing on stage at raves in front of ten thousand people. So I'm
[01:42.40] Really glad that I was able to figure
[01:45.08] Out a way to include it on Reprise
[01:49.47]