Giorgio by Moroder (Drumless Edition)
๐ต 1514 characters
โฑ๏ธ 9:06 duration
๐ ID: 4425051
๐ Lyrics
When I was fifteen, sixteen
When I started really to play guitar
I definitely wanted to become a musician
It was almost impossible because, it was
The dream was so big
That I didn't see any chance
Because I was living in a little town, was studying
And when I finally broke away from school
And became a musician
I thought "well, now I may have a little bit of a chance"
Because all I really wanted to do is music
And not only play music, but compose music
At that time, in Germany, in '69, '70
They had already discotheques
So I would take my car, would go to a discotheque
Sing maybe thirty minutes
I think I had about seven, eight songs
I would partially sleep in the car
Because I didn't want to drive home
And that helped me for about
Almost two years to survive
In the beginning
I wanted to do an album with the sounds of the fifties
The sounds of the sixties, of the seventies
And then have a sound of the future
And I thought "Wait a second
I know the synthesizer, why don't I use the synthesizer
Which is the sound of the future"
And I didn't have any idea what to do but I knew I needed a click
So we put a click on the 24-track
Which then was synced to the Moog modular
I knew that could be a sound of the future
But I didn't realize how much the impact would be
My name is Giovanni Giorgio, but everybody calls me Giorgio
Once you free your mind about a concept of
Harmony and of music being correct
You can do whatever you want
So nobody told me what to do
And there was no preconception of what to do
When I started really to play guitar
I definitely wanted to become a musician
It was almost impossible because, it was
The dream was so big
That I didn't see any chance
Because I was living in a little town, was studying
And when I finally broke away from school
And became a musician
I thought "well, now I may have a little bit of a chance"
Because all I really wanted to do is music
And not only play music, but compose music
At that time, in Germany, in '69, '70
They had already discotheques
So I would take my car, would go to a discotheque
Sing maybe thirty minutes
I think I had about seven, eight songs
I would partially sleep in the car
Because I didn't want to drive home
And that helped me for about
Almost two years to survive
In the beginning
I wanted to do an album with the sounds of the fifties
The sounds of the sixties, of the seventies
And then have a sound of the future
And I thought "Wait a second
I know the synthesizer, why don't I use the synthesizer
Which is the sound of the future"
And I didn't have any idea what to do but I knew I needed a click
So we put a click on the 24-track
Which then was synced to the Moog modular
I knew that could be a sound of the future
But I didn't realize how much the impact would be
My name is Giovanni Giorgio, but everybody calls me Giorgio
Once you free your mind about a concept of
Harmony and of music being correct
You can do whatever you want
So nobody told me what to do
And there was no preconception of what to do
โฑ๏ธ Synced Lyrics
[00:01.00] When I was fifteen, sixteen
[00:03.57] When I started really to play guitar
[00:05.46] I definitely wanted to become a musician
[00:08.39] It was almost impossible because, it was
[00:11.51] The dream was so big
[00:13.09] That I didn't see any chance
[00:15.20] Because I was living in a little town, was studying
[00:18.90] And when I finally broke away from school
[00:22.15] And became a musician
[00:24.56] I thought "well, now I may have a little bit of a chance"
[00:28.00] Because all I really wanted to do is music
[00:30.83] And not only play music, but compose music
[00:34.83] At that time, in Germany, in '69, '70
[00:39.00] They had already discotheques
[00:41.26] So I would take my car, would go to a discotheque
[00:45.38] Sing maybe thirty minutes
[00:49.19] I think I had about seven, eight songs
[00:52.09] I would partially sleep in the car
[00:55.14] Because I didn't want to drive home
[00:58.34] And that helped me for about
[01:00.68] Almost two years to survive
[01:04.33] In the beginning
[01:08.66] I wanted to do an album with the sounds of the fifties
[01:12.08] The sounds of the sixties, of the seventies
[01:15.44] And then have a sound of the future
[01:18.64] And I thought "Wait a second
[01:20.00] I know the synthesizer, why don't I use the synthesizer
[01:23.91] Which is the sound of the future"
[01:27.28] And I didn't have any idea what to do but I knew I needed a click
[01:31.99] So we put a click on the 24-track
[01:34.07] Which then was synced to the Moog modular
[01:37.95] I knew that could be a sound of the future
[01:41.45] But I didn't realize how much the impact would be
[01:46.76] My name is Giovanni Giorgio, but everybody calls me Giorgio
[04:58.00] Once you free your mind about a concept of
[05:02.02] Harmony and of music being correct
[05:05.61] You can do whatever you want
[05:07.22] So nobody told me what to do
[05:10.00] And there was no preconception of what to do
[00:03.57] When I started really to play guitar
[00:05.46] I definitely wanted to become a musician
[00:08.39] It was almost impossible because, it was
[00:11.51] The dream was so big
[00:13.09] That I didn't see any chance
[00:15.20] Because I was living in a little town, was studying
[00:18.90] And when I finally broke away from school
[00:22.15] And became a musician
[00:24.56] I thought "well, now I may have a little bit of a chance"
[00:28.00] Because all I really wanted to do is music
[00:30.83] And not only play music, but compose music
[00:34.83] At that time, in Germany, in '69, '70
[00:39.00] They had already discotheques
[00:41.26] So I would take my car, would go to a discotheque
[00:45.38] Sing maybe thirty minutes
[00:49.19] I think I had about seven, eight songs
[00:52.09] I would partially sleep in the car
[00:55.14] Because I didn't want to drive home
[00:58.34] And that helped me for about
[01:00.68] Almost two years to survive
[01:04.33] In the beginning
[01:08.66] I wanted to do an album with the sounds of the fifties
[01:12.08] The sounds of the sixties, of the seventies
[01:15.44] And then have a sound of the future
[01:18.64] And I thought "Wait a second
[01:20.00] I know the synthesizer, why don't I use the synthesizer
[01:23.91] Which is the sound of the future"
[01:27.28] And I didn't have any idea what to do but I knew I needed a click
[01:31.99] So we put a click on the 24-track
[01:34.07] Which then was synced to the Moog modular
[01:37.95] I knew that could be a sound of the future
[01:41.45] But I didn't realize how much the impact would be
[01:46.76] My name is Giovanni Giorgio, but everybody calls me Giorgio
[04:58.00] Once you free your mind about a concept of
[05:02.02] Harmony and of music being correct
[05:05.61] You can do whatever you want
[05:07.22] So nobody told me what to do
[05:10.00] And there was no preconception of what to do