Expressions of Motion
๐ต 1952 characters
โฑ๏ธ 2:09 duration
๐ ID: 9345191
๐ Lyrics
I got interested in dance originally
When I saw a Lindsay Kemp production
Knowing that there was something more
I wanted to add my mu-, to my music
But not knowing what
And then it suddenly made sense
That movement was a perfect compliment to music
And that they're both expressions of emotional turmoil
Or whatever
So it made sense to put the two together really
And um
Again, especially the video medium
It's perfect to exploit in
Well, I think really the production thing
Has been something that
Has been gradually growing
As um, my crew has been moving on
And really the first album was the only album
Where I had no true say
Um, over the producer
And then gradually as I did album by album
I found that what I was having to do really
Was basically convince the producer
That what I wanted, what would work
So, um
It came to the stage where I wanted to
To go for producing myself
But wasn't totally brave enough
Um, so I went for co-production with my engineer, John Kelly
And um, that worked very well
And then um, writing songs for this last album
They sounded very different again
From the stuff that I'd done before
And I just felt it was something
I could handle as a producer
So I felt it was worth a try
And haven't got three checks done
And they sounded good
And everyone felt, good, go ahead
But I think it is really something
I've, I've wanted since the second album
Where I felt that
If I could just have more control over it
I could get more of what I want to be said on the album
And so far that has worked
So I hope it continues that way
I think there definitely has been a change
And I like to think that the change
Has sort of again moved with my music
Um, I think I still have problems especially in media
With the um, the mentioning of anything to do with sex
But I think it's a very positive thing
That people have started moving away from that with me
And having first start to take me
Much more seriously as an artist, um
When I saw a Lindsay Kemp production
Knowing that there was something more
I wanted to add my mu-, to my music
But not knowing what
And then it suddenly made sense
That movement was a perfect compliment to music
And that they're both expressions of emotional turmoil
Or whatever
So it made sense to put the two together really
And um
Again, especially the video medium
It's perfect to exploit in
Well, I think really the production thing
Has been something that
Has been gradually growing
As um, my crew has been moving on
And really the first album was the only album
Where I had no true say
Um, over the producer
And then gradually as I did album by album
I found that what I was having to do really
Was basically convince the producer
That what I wanted, what would work
So, um
It came to the stage where I wanted to
To go for producing myself
But wasn't totally brave enough
Um, so I went for co-production with my engineer, John Kelly
And um, that worked very well
And then um, writing songs for this last album
They sounded very different again
From the stuff that I'd done before
And I just felt it was something
I could handle as a producer
So I felt it was worth a try
And haven't got three checks done
And they sounded good
And everyone felt, good, go ahead
But I think it is really something
I've, I've wanted since the second album
Where I felt that
If I could just have more control over it
I could get more of what I want to be said on the album
And so far that has worked
So I hope it continues that way
I think there definitely has been a change
And I like to think that the change
Has sort of again moved with my music
Um, I think I still have problems especially in media
With the um, the mentioning of anything to do with sex
But I think it's a very positive thing
That people have started moving away from that with me
And having first start to take me
Much more seriously as an artist, um
โฑ๏ธ Synced Lyrics
[00:00.02] I got interested in dance originally
[00:03.03] When I saw a Lindsay Kemp production
[00:05.59] Knowing that there was something more
[00:06.68] I wanted to add my mu-, to my music
[00:09.27] But not knowing what
[00:10.35] And then it suddenly made sense
[00:11.60] That movement was a perfect compliment to music
[00:15.23] And that they're both expressions of emotional turmoil
[00:19.14] Or whatever
[00:20.37] So it made sense to put the two together really
[00:23.29] And um
[00:24.28] Again, especially the video medium
[00:26.70] It's perfect to exploit in
[00:29.79] Well, I think really the production thing
[00:31.86] Has been something that
[00:33.64] Has been gradually growing
[00:36.39] As um, my crew has been moving on
[00:38.39] And really the first album was the only album
[00:41.03] Where I had no true say
[00:43.80] Um, over the producer
[00:45.86] And then gradually as I did album by album
[00:48.19] I found that what I was having to do really
[00:50.37] Was basically convince the producer
[00:53.49] That what I wanted, what would work
[00:56.34] So, um
[00:57.10] It came to the stage where I wanted to
[00:58.71] To go for producing myself
[01:01.09] But wasn't totally brave enough
[01:03.71] Um, so I went for co-production with my engineer, John Kelly
[01:07.92] And um, that worked very well
[01:10.50] And then um, writing songs for this last album
[01:13.53] They sounded very different again
[01:15.25] From the stuff that I'd done before
[01:17.40] And I just felt it was something
[01:19.32] I could handle as a producer
[01:20.92] So I felt it was worth a try
[01:22.65] And haven't got three checks done
[01:23.92] And they sounded good
[01:24.86] And everyone felt, good, go ahead
[01:27.50] But I think it is really something
[01:28.69] I've, I've wanted since the second album
[01:31.75] Where I felt that
[01:33.08] If I could just have more control over it
[01:35.89] I could get more of what I want to be said on the album
[01:39.75] And so far that has worked
[01:41.24] So I hope it continues that way
[01:42.94] I think there definitely has been a change
[01:45.14] And I like to think that the change
[01:46.64] Has sort of again moved with my music
[01:50.18] Um, I think I still have problems especially in media
[01:53.44] With the um, the mentioning of anything to do with sex
[01:58.11] But I think it's a very positive thing
[01:59.47] That people have started moving away from that with me
[02:02.12] And having first start to take me
[02:03.52] Much more seriously as an artist, um
[02:06.84]
[00:03.03] When I saw a Lindsay Kemp production
[00:05.59] Knowing that there was something more
[00:06.68] I wanted to add my mu-, to my music
[00:09.27] But not knowing what
[00:10.35] And then it suddenly made sense
[00:11.60] That movement was a perfect compliment to music
[00:15.23] And that they're both expressions of emotional turmoil
[00:19.14] Or whatever
[00:20.37] So it made sense to put the two together really
[00:23.29] And um
[00:24.28] Again, especially the video medium
[00:26.70] It's perfect to exploit in
[00:29.79] Well, I think really the production thing
[00:31.86] Has been something that
[00:33.64] Has been gradually growing
[00:36.39] As um, my crew has been moving on
[00:38.39] And really the first album was the only album
[00:41.03] Where I had no true say
[00:43.80] Um, over the producer
[00:45.86] And then gradually as I did album by album
[00:48.19] I found that what I was having to do really
[00:50.37] Was basically convince the producer
[00:53.49] That what I wanted, what would work
[00:56.34] So, um
[00:57.10] It came to the stage where I wanted to
[00:58.71] To go for producing myself
[01:01.09] But wasn't totally brave enough
[01:03.71] Um, so I went for co-production with my engineer, John Kelly
[01:07.92] And um, that worked very well
[01:10.50] And then um, writing songs for this last album
[01:13.53] They sounded very different again
[01:15.25] From the stuff that I'd done before
[01:17.40] And I just felt it was something
[01:19.32] I could handle as a producer
[01:20.92] So I felt it was worth a try
[01:22.65] And haven't got three checks done
[01:23.92] And they sounded good
[01:24.86] And everyone felt, good, go ahead
[01:27.50] But I think it is really something
[01:28.69] I've, I've wanted since the second album
[01:31.75] Where I felt that
[01:33.08] If I could just have more control over it
[01:35.89] I could get more of what I want to be said on the album
[01:39.75] And so far that has worked
[01:41.24] So I hope it continues that way
[01:42.94] I think there definitely has been a change
[01:45.14] And I like to think that the change
[01:46.64] Has sort of again moved with my music
[01:50.18] Um, I think I still have problems especially in media
[01:53.44] With the um, the mentioning of anything to do with sex
[01:58.11] But I think it's a very positive thing
[01:59.47] That people have started moving away from that with me
[02:02.12] And having first start to take me
[02:03.52] Much more seriously as an artist, um
[02:06.84]